CINECITTÀ are pleased to announce the launch of their new film season THE WAVE which will celebrate the new wave of female filmmakers working in Italy today. The season will run from June 15 – 19 at the Ciné Lumière, Kensington, which is also home to Cinecittà’s long-running film festival CINEMA MADE IN ITALY.
Opening the season is Chiara Bellosi’s SWING RIDE (Calcinculo, 2022), which had its world premiere at this year’s Berlin Film Festival. The film follows Benedetta, an obese fifteen-year-old yearning for attention, who falls in love with a young transvestite, Amanda. The film details a story of intoxication and family rebellion as Benedetta completes her rite of passage into adulthood.
Additional festival highlights include Alice Rohrwacher’s feature directorial debut HEAVENLY BODY (Corpo Celeste, 2011) which observes 13-year-old Marta, who is struggling to adjust to life after relocating from Switzerland to the deep south of Italy. Marta undergoes the right of confirmation, joining the Catholic Church. As time passes, she begins to challenge the church and for the first time shapes her life on her own terms. The film cemented Rohrwacher as a distinctive young voice in Italian cinema and she has gone on to direct festival favourites HAPPY AS LAZZARO and THE WONDERS.
Other titles included in the programme are:
Maura Delpero’s heart breaking MATERNAL (2019) which details the story of three women living in a Catholic refuge in a sensitively realised portrait of motherhood.
Adele Tulli’s NORMAL (2019) a genre-bending documentary, reflects on how female and male identities are performed in everyday interactions by capturing some of the most intimate moments in people’s lives.
Michela Occhipinti’s FLESH OUT (Il Corpo Della Sposa, 2019) tells the story of a modern woman challenging the Mauritanian tradition of arranged marriage.
Emma Dante’s A STREET IN PALERMO (Via Castellana Bandiera, 2013) observes the lengths that two women will go after their cars come face to face in a narrow street in Italy. What ensues is a cutting tale of stubbornness, with neither woman willing to back down.
Susanna Nicchiarelli’s COSMONAUT (Cosmonauta, 2009) explores the fractured relationship of two die-hard communist siblings as they follow the progress of the space race in the early sixties.
The programme also includes two classic titles from female filmmakers that paved the way for the filmmakers in our contemporary selection which include:
Lina Wertmüller’s directorial debut THE BASILISKS (I Basilischi, 1963) which follows the uneventful lives of three men living in an impoverished town in Southern Italy, observing the trappings of their lack of enthusiasm for life.
Elvira Notari’s ‘A SANTANOTTE (1922) explores the relationship between an oppressed young girl, Nanninella and her abusive father.
Finally, as a tribute to actress Monica Vitti, who passed away last February and whose unforgettable starring roles made history in Italian cinema, the programme will include DUCK IN ORANGE SAUCE (L’anatra all’arancia, 1975) by Luciano Salce, the story of the fallout of a wife asking to leave her husband. Her husband agrees but orchestrates an elaborate plan over their final weekend together which includes his own secretary and his wife’s lover.
The season will also present a selection of short animation films which includes: SUGARLOVE, Laura Luchetti (2018) TOILETS, Laura Luchetti (Bagni, 2016), LIVE BAIT, Susanna Nicchiarelli (Esca Viva, 2012), THIN DUST, Alessandra Boatto, Gloria Cianci, Sofia Zanonato (Polvere Sottile, 2018), NEW NEIGHBOURS, Sara Burgio, Andrea Mannino, Giacomo Rinaldi (2018), MERLOT, Marta Gennari, Giulia Martinelli, (2015), COSMOETICO, Martina Scarpelli (2015), WHAT EVER HAPPENED TO DARWIN?, Leonardo Altieri, Sara Crippa, Giulia Manna, Maria Nocerino (2019)
The Wave is organized by Cinecittà with the support of the Italian Cultural Institute in London.
